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      <image:caption>It’s a Wonderful Life isn’t just a great Christmas movie, it is a chance to teach our students about character.</image:caption>
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      <image:caption>The Lure of Luxury Potter’s office is staged like a visual trap—polished wood, ornate furniture, and that smug portrait looming over everything—so the environment itself sells the offer before Potter ever speaks. George stands on the far edge of the frame, awkwardly holding the cigar like a borrowed prop, a man who doesn’t belong in this world of excess. It’s a smart filmmaking choice: production design and blocking quietly preach the moral lesson that some opportunities look impressive on the surface but signal, in every detail, that you’ll have to sell a piece of yourself to fit in.</image:caption>
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      <image:caption>Power on Display In this shot, the camera gives Potter the visual high ground: he’s centered, well-lit, and leaning toward us with that pointed finger, while George is reduced to the back of a head in the foreground. The framing, depth of field, and Potter’s relaxed posture sell him as confident, reasonable authority—which is exactly the danger. Filmmaking reminds us here that manipulative people rarely look like villains; they often present as calm, certain, and in control while pushing you toward a compromise you’ll regret.</image:caption>
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      <image:caption>Weakness on Display This reverse angle puts George where Potter sat before—centered, framed by the heavy chair and the office door—yet it doesn’t play as a power shot. His body leans forward, eyes locked, caught between curiosity and conviction. With Potter out of focus in the foreground, the camera exposes George’s inner struggle: this is what temptation looks like from the outside. He’s not evil, just human—and the scene reminds us that moral strength isn’t the absence of weakness, but the choice to push through it.</image:caption>
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      <image:caption>The Moment of Clarity The framing traps George between Potter’s hand and the office door that literally bears Potter’s name, as if he’s one handshake away from walking through it forever. The camera lingers on George’s downward glance, letting us see the thought process: this isn’t just a business agreement, it’s an alignment of character. By holding on this close, slightly high angle, the film turns a simple gesture into a moral pivot point—George sees the hand, recognizes the cost, and decides he can’t sell his soul for a salary.</image:caption>
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      <image:caption>Surveying students casually at the beginning of the semester is helpful for knowing the kids and having a quick way to get them used to my LMS structure and expectations.</image:caption>
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      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - KEY QUESTIONS — How is this scene lit? What position/angle is the camera in the shot? Does the camera move?  How does the camera move? What are the characters lit? What is in focus (out of focus)?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/0bf1e9d2-8292-441f-a3b7-c80b70b9c05f/Nosferatu.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - EXAMPLE — In Nosferatu, notice how the  camera is low to make the vampire seem larger than life, and notice how the lighting placement creates the effect that not only does the creature “glide” up the stairs (almost as an apparition), but the darkness is symbolic of his character and intent.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/97950007-dc74-4693-90f7-2f5ab1f76de0/editing+words.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - KEY QUESTIONS — How long is each shot? How do the edits affect the pacing of the film? What type of edit is used (dissolve, wipe, cut, etc.) between scenes? What shot is placed after another shot? Does one shot interact or create tension with another shot?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/540050b5-5e2e-41d4-acaa-c533688e76a9/editing+silence.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - EXAMPLE— In Silence of the Lambs, Starling (on the right), a police officer, talks to serial killer Hannibal Lecter (on the left) from a safe distance while the latter sits in his cell.  However, the editor skillfully cuts to Lector in increasingly tighter shots to reveal that not only is Starling vulnerable but that their relationship has become emotionally intimate, and she cannot escape his looming presence in her head. In short, Lecter doesn’t just hold the power in the scene, he dominates it.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/983e59a8-bcb8-4cf2-abf3-ee7f97fb4d9f/sound+design.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - KEY QUESTIONS —</image:title>
      <image:caption>Is the sound natural to the film?  How does music affect the film?  What sounds are audible in the scene?  Is the sound diegetic (characters on screen can hear it)? Is the sound non-diegetic (characters on screen can’t hear it)? What does sound (natural, artificial, diegetic, non-diegetic) do for the scene? Is the sound is a leitmotif, what does the sound embody?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/9937c9fd-9ace-4498-916b-122348a0c78a/Apocalypse_Now_Huey11.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - EXAMPLE — In Apocalypse Now, Coppola juxtaposes the attack of the American helicopters against a hostile Vietnamese village with Wagner’s “Triumph of the Valkyries” to underscore the American’s brash, nearly invulnerable attitude while also elevating the attack to an almost god-like act of power and control.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/88b96529-586e-4b66-8387-42dd6b469c95/Adam+pic.jpg</image:loc>
      <image:title>Articles - The BIG 4: The FOUNDATION of FILM ANALYSIS in THE IB FILM CLASSROOM - Adam Russell lives and works in Marietta, Georgia.  He is finishing his 22nd year of teaching both film and literature.  A 13 year veteran of teaching IB Film, Adam seeks to constantly refine and demystify the art of teaching within the IB framework to help teachers and students find success.  In his spare time, he writes feature length scripts and consumes anything and everything that he can get his hands on regarding film: screenplays, films, video essays, books on screenwriting, etc.  Comments or questions: write ADAM in the subject line and email streamsemester@gmail.com.</image:title>
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  </url>
  <url>
    <loc>https://www.streamsemester.com/articles/two-key-approaches-students-master-ee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/7b11c39f-9f46-4022-a328-f60da2deeb4d/AmitraceTester03.gif</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - Make it stand out</image:title>
      <image:caption>StreamSemester.com is presented by Amitrace.com.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/fc62b2fc-6ae9-40db-9831-ec7548cb99ee/EE+Poster.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - The EE, no matter what subject, is a beast.</image:title>
      <image:caption>In our school, some oversight of the process and the criteria of the essay are embedded in our Theory of Knowledge class, but several different teachers teach the class, and our students’ knowledge and expectations of the EE can vary 180 degrees from student to student.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/ece71bff-d9ba-44c6-8c5d-a157b23999ee/formalism+2.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - In essence the Big 4 are components of FORMALISM–using the different “parts” of the film medium to understand the work as a whole.  Or, to break it down more succinctly, formalism (the parts) focuses on how a text (the whole) is formed.    Just as a Lego creation is formed by different types and colors of Lego bricks, so, too, is a film created by using the various components of cinematography, editing, sound design, and mise-en-scene to tell a whole story (again, part to whole)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/ed166af3-c659-4769-b59d-77e50695fac4/apples+and+oranges.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - You may have noticed that I mentioned comparing two texts for the Extended Essay. That’s not a mandatory approach, but I believe a COMPARATIVE methodology (and by that, I just mean “approach”) allows students to explore how two films compare and contrast within a specific movement, a specific genre, and/or a specific topic.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/25d8944d-e594-45df-8635-7932da24d065/analysis.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - One, they had better like to analyze films (similar to the textual analysis assessment)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/480dd22c-4a5b-427b-b543-a2e8df57d3e5/comparison.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM - Two, they’ll need to pair together two films that have some connective tissue.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/e3a6c652-6626-482f-b102-53858364ee4c/Adam+pic.jpg</image:loc>
      <image:title>Articles - TWO KEY APPROACHES TO HELPING STUDENTS MASTER THE EXTENDED ESSAY IN IB FILM</image:title>
      <image:caption>Adam Russell lives and works in Marietta, Georgia.  He is finishing his 22nd year of teaching both film and literature.  A 13 year veteran of teaching IB Film, Adam seeks to constantly refine and demystify the art of teaching within the IB framework to help teachers and students find success.  In his spare time, he writes feature length scripts and consumes anything and everything that he can get his hands on regarding film: screenplays, films, video essays, books on screenwriting, etc.  Comments or questions: write ADAM in the subject line and email streamsemester@gmail.com.</image:caption>
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  <url>
    <loc>https://www.streamsemester.com/articles/why-teachers-should-go-to-nab</loc>
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    <lastmod>2024-06-14</lastmod>
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      <image:title>Articles - When the Gamble Pays Off: Why Teachers Need to Attend NAB - Make it stand out</image:title>
      <image:caption>The “worst” part of NAB is that it is in Las Vegas.</image:caption>
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  </url>
  <url>
    <loc>https://www.streamsemester.com/articles/student-filmmakers-problem-solvers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-24</lastmod>
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      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/2b901147-ca2f-42c1-b523-7512a0fa1e6a/image-asset.jpg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero</image:title>
      <image:caption>Teachers, we have a problem: we’re going about teaching filmmaking to students the wrong way.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/fd9a7ca8-c913-49e1-a968-cd2ce80c9f9b/aaron+sorkin.jfif</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - Sorkin, as a storyteller, believes in two concepts: intention and obstacle. In fact, he states that he “worships at the alter of obstacle and intention.”</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/f54fd8a2-a508-4d54-b0b2-f02820ade906/RebBraddock_3x2.jpg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero</image:title>
      <image:caption>Reb Braddock</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/a842a9ce-dd71-41dd-ab80-dc865e81974a/image-asset.jpg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - In short, storytelling involves a character trying to solve at least one major problem.</image:title>
      <image:caption>Apropos, filmmaking involves several student filmmakers trying to solve at least one major problem.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1717821223933-CTUYWZQ4B5V7JUVR55OW/image-asset.jpeg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - And, if it isn’t a natural, self-directed journey,, encourage students to find a whiteboard, arm their with a dry-erase marker, and ask them to brainstorm ways to inform and solve their problem.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1717821371220-RLW5IJ0D2DZWI8NMNQRP/image-asset.jpeg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - Better, yet, students can brainstorm a path that gives them a way forward by asking questions and trying to solve a problem. In short, when we talk about filmmaking with students, we need to do a paradigm shift as teachers–we need to approach filmmaking as a series of problems that need to be solved. Successful films aren’t necessarily the films that have the fewest flaws or issues, they are the ones wherein a group of students–intent on using logic, creativity, and research–work individually within a role and together as a group to solve a problem.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/e65c538a-9e01-41ff-b0f8-e8174f44c2ab/Adam+pic.jpg</image:loc>
      <image:title>Articles - THe META APPROACH to FILMMAKING: MAKING THE FILMMAKER the hero - Adam Russell lives and works in Marietta, Georgia. He is finishing his 22nd year of teaching both film and literature. A 13 year veteran of teaching IB Film, Adam seeks to constantly refine and demystify the art of teaching within the IB framework to help teachers and students find success. In his spare time, he writes feature length scripts and consumes anything and everything that he can get his hands on regarding film: screenplays, films, video essays, books on screenwriting, etc. Comments or questions: write ADAM in the subject line and email streamsemester@gmail.com.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.streamsemester.com/articles/and-the-oscar-goes-to</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/c835cbbf-92e2-405f-87d4-12af75a21f99/AmitraceTester02.gif</image:loc>
      <image:title>Articles - And the oscar goes to… - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/0ec31aac-6b8a-422f-9957-0ec022dcecae/oscar+statues.jpg</image:loc>
      <image:title>Articles - And the oscar goes to… - Luckily, for you teachers out there, buying faux Oscar statues isn't too expensive. Visit Amazon and search “Oscar statues” and you can find a 20 pack ($19.99) or 36 pack ($26.95) of 6 inch statues. You can pay more if you want to have them engraved or get a larger size; however, that’s more money and more time, and, as teachers, those are two things in which I am already lacking.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/37225ecb-7984-4a11-ba15-6661e283bd27/meryl+oscar.jpg</image:loc>
      <image:title>Articles - And the oscar goes to… - Also, I recommend giving individual Oscars to kids (they aren’t expensive and kids will want to show them off to parents and friends) as opposed to giving a single, group award. You don’t need me to tell you how to award Oscar statues to your kids, but here are three viable options to consider if you’ve never done it before.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/8e6d0235-2f19-4fc4-8de8-d99bceb01df3/copy+voting.jpg</image:loc>
      <image:title>Articles - And the oscar goes to… - Option #1: VOTE!! Kids watch the films and then the class votes on the best film (we usually use a Google form). Viola, the team with the most votes wins (we ask kids to truly vote for the best work, not just vote for their group’s film–results may vary).</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/49183672-61f7-4c87-8bec-9db9ca6b8257/categories.jpg</image:loc>
      <image:title>Articles - And the oscar goes to… - Option #2: DIVERSIFY!! Instead of giving only the “winning” project an award, break down the award into categories: Best Picture, Best Editing, Best Sound Design, Best Director, Best Screenplay, Best Director, Best Makeup, etc. This is a great option to spread the wealth (maybe a talented kid gets stuck with a lackluster group–this option encourages kids to do their best in any given role). Also, this is a terrific way for kids to understand the responsibilities of their given production role.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/e8638a72-18c0-456f-86cc-73ba2239fb20/for+your+consideration.png</image:loc>
      <image:title>Articles - And the oscar goes to… - Option #3: CAMPAIGN!! I am a big fan of having kids reflect on their filmmaking experience. Have kids write a short explanation of all the ways in which they believe that their work in a given role should be worthy of award recognition.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/e65c538a-9e01-41ff-b0f8-e8174f44c2ab/Adam+pic.jpg</image:loc>
      <image:title>Articles - And the oscar goes to…</image:title>
      <image:caption>Adam Russell lives and works in Marietta, Georgia. He is finishing his 22nd year of teaching both film and literature. A 13 year veteran of teaching IB Film, Adam seeks to constantly refine and demystify the art of teaching within the IB framework to help teachers and students find success. In his spare time, he writes feature length scripts and consumes anything and everything that he can get his hands on regarding film: screenplays, films, video essays, books on screenwriting, etc. Comments or questions: write ADAM in the subject line and email streamsemester@gmail.com.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.streamsemester.com/articles/time-for-a-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/c835cbbf-92e2-405f-87d4-12af75a21f99/AmitraceTester02.gif</image:loc>
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      <image:title>Articles - It is Time for a Change: How classroom layout impacts relationships - Make it stand out</image:title>
      <image:caption>The pandemic created a mental health crisis in our students.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/2deff9c8-51ae-4317-9f09-b2f2a1506de4/image-asset.jpg</image:loc>
      <image:title>Articles - It is Time for a Change: How classroom layout impacts relationships - Make it stand out</image:title>
      <image:caption>Rows of computers felt more like a factory than a creative space.</image:caption>
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    <loc>https://www.streamsemester.com/articles/hollyland-mars4k-workflow</loc>
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    <lastmod>2024-06-14</lastmod>
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      <image:title>Articles - Hollyland Mars 4K: A Game-Changer for Live Streams - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.streamsemester.com/articles/investinyourself</loc>
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    <lastmod>2024-05-23</lastmod>
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      <image:title>Articles - 5 things to consider This Summer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - The Most Important Door in Georgia Video Production Education - Make it stand out</image:title>
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      <image:title>Articles - The Most Important Door in Georgia Video Production Education - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - The Most Important Door in Georgia Video Production Education - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.streamsemester.com/articles/zombie-media</loc>
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    <lastmod>2023-06-01</lastmod>
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      <image:title>Articles - The walking Dead of Media… - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/86b7801b-adb2-4bb3-bcb8-bbc5c7d2de90/IMSD-screenshot.png</image:loc>
      <image:title>Articles - The walking Dead of Media… - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685623091365-WQITMNO9PRUIN3SEQXNY/image-asset.jpeg</image:loc>
      <image:title>Articles - The walking Dead of Media… - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - The walking Dead of Media… - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.streamsemester.com/articles/common-camera-support-systems</loc>
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    <lastmod>2023-05-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/18f2309a-291f-4567-b327-a30f035eefd7/amitrace-logo+%281%29.png</image:loc>
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      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>Tripods come in all shapes and sizes (and price points) and are the best way to ensure steady shots.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685023532971-QSPA7B3QBE2WARCVDDTH/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>Monopods are great for shooting sidelines sports, or for awkward photos of people taking photos</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685023651540-B23V4UN8UKU4CX66TFGP/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>A dolly is a good way to add creative camera movements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685023743748-HY9PZ3N0XH6D7NJZR01W/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>A steadicam operator captures smooth shots, with lots of flexibility</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685023820600-AHCL5Q0ND8AWSVSQAA92/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>A jib is a great way to add large motions and interesting shots to a production</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685023945793-KL9E083R1W53DA74S66G/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>Gimbals are an affordable way to make your camera mobile, while still cinematic</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685024041841-SXOEGGDI4S2OHM0RBWOS/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>A camera slider allows you to make small moves that add depth and complexity to your shoots</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685024141899-LHGQKC60FQS8GORBIYY3/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>Drones can add unique angles and dynamic motion to your shots</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685024346577-2F15DM383W36PF39TR50/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>A shoulder rig is great for run and gun style shooting, while still providing some stability</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1685024440524-4BS0BBH3GT27JQRXV30O/image-asset.jpeg</image:loc>
      <image:title>Articles - Common camera supports used in the film industry - Make it stand out</image:title>
      <image:caption>Car mounts allow for safe shooting, while still providing creative angles</image:caption>
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    <loc>https://www.streamsemester.com/articles/whatisphantompower</loc>
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    <lastmod>2023-05-23</lastmod>
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    <loc>https://www.streamsemester.com/articles/failingtosucceed</loc>
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    <lastmod>2023-05-20</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.streamsemester.com/articles/newtek-vs-aida-ptz-battle</loc>
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    <lastmod>2023-05-18</lastmod>
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      <image:title>Articles - A Tale of Two PTZ Cameras: Newtek UHDPTX and Aida PTZ-NDI-X18B in Action - Make it stand out</image:title>
      <image:caption>Newtek UHD PTZ NDI|HX 4K camera - Big image, big price tag</image:caption>
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      <image:title>Articles - A Tale of Two PTZ Cameras: Newtek UHDPTX and Aida PTZ-NDI-X18B in Action - Make it stand out</image:title>
      <image:caption>The Aida PTZ-NDI-X18B is smaller, lighter, and easier on the budget</image:caption>
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      <image:title>Articles - A Tale of Two PTZ Cameras: Newtek UHDPTX and Aida PTZ-NDI-X18B in Action - Make it stand out</image:title>
      <image:caption>Both offer power via a single Ethernet, but the Newtek requires POE++ to maintain full performance.</image:caption>
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    <loc>https://www.streamsemester.com/articles/rundown-creator-from-a-student-perspective</loc>
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    <lastmod>2023-05-03</lastmod>
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      <image:caption>Cora planning out the daily show</image:caption>
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      <image:caption>Nicholas assigning scripts to show writers</image:caption>
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      <image:caption>The best way to plan and organize a show</image:caption>
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    <loc>https://www.streamsemester.com/articles/ndi-production-with-panasonic-agcx10</loc>
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    <lastmod>2023-05-01</lastmod>
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      <image:caption>Yeah, I had sticker shock.</image:caption>
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      <image:caption>We already have enough to juggle, so keeping batteries consistent would be a huge help.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Left:  A. Boundary Mic-Also PZM, lies flat on a table or surface and is typically used for miking people sitting around a table. B. Shotgun Mic-Usually has a highly focused pickup pattern and is best at gathering sound at a distance or in a noisy environment. C. Lapel Mic-Is very small and can be hidden on or around the subject to completely conceal its presence. D. Handheld Mic-Comfortable to hold in the hand, it is commonly used by television newscasters, singers, public speakers and talk-show hosts. It's ideal when you want the talent to directly address the camera.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2024-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/7b11c39f-9f46-4022-a328-f60da2deeb4d/AmitraceTester03.gif</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1658772924860-RX0G455MU20US3TN2KK3/unsplash-image-s9CC2SKySJM.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1581564655195-594SISTKJAZ201W8UFG5/Script01.jpeg</image:loc>
      <image:title>Articles - Two-Column, Split-Page Script Format - Figure 1</image:title>
      <image:caption>Sample video descriptions: left column, double spaced, ALL CAPS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1581564881350-Q5RZ1OU15KERZVH2T7FB/Script02.jpeg</image:loc>
      <image:title>Articles - Two-Column, Split-Page Script Format - Figure 2</image:title>
      <image:caption>Sample audio descriptions: right column, double spaced, ALL CAPS, underlined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1581564953940-H82OTUBEQE84LLC62LKA/Script03.jpeg</image:loc>
      <image:title>Articles - Two-Column, Split-Page Script Format - Figure 3</image:title>
      <image:caption>Sample character name and dialogue: right column, double-spaced, NAME IN ALL CAPS, dialogue down style.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1581565071408-WW55Q75JWB66ZLZ1PTZ1/Script04.jpeg</image:loc>
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      <image:caption>Sample characters, dialogue, and sound effects (SFX); right column, double spaded, ALL CAPS for all but dialogue, underlined sound effects (SFX) (in parentheses).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e3f5968f10c10417724f328/1581565163719-7TTKP189F06683FYMTUU/Script05.jpeg</image:loc>
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      <image:caption>Words in audio column of practice script.</image:caption>
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      <image:caption>Words in video column of practice script.</image:caption>
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